Juanjo Diego: The Beatles by other artists

First of all, I must admit that I’m a very fond of The Beatles. I have played and sung their songs since I was a child, even when I didn’t have any English, as the sole sentences I was able to speak were “yesterday” “All you need is love”, “Yellow Submarine” and similar expressions. I don’t know what a rare confluence of time and people happened in that moment, but four young musicians, not specially gifted to play an instrument, changed the evolution of pop music and left us some of the best songs ever written. Actually, I strongly believe that the "Fab Four" are rigthfully into the history of modern music.  

However, in this entry for our blog I don’t want to talk about the Beatles themselves, but the deserved tribute that other artists have dedicated to them, including their best songs in their albums and concerts. The Beatles’ songs have lingered beyond the band, because (incidentally the title of an incredible less known song!) of the unsurpassable quality of their melodies, the beauty of the chord progressions, the lovely and sometimes naive arrangements, and the capacity of being accepted by any kind of listeners, so much so that their music has become the first multigenerational musical deal. To sum up, this is a little entry about Beatles songs covered by others. 

Let’s start! The Beatles’ songs are the most covered of all (led by “Yesterday”, with thousands of new versions) and it is indeed the band with the most “tribute bands” all over the short history of modern music (a tribute band is one that only performs songs by just one famous group, trying to imitate its sound, style, even clothing or movements on stage. Pink Floyd, Genesis, Queen or Aerosmith, among others, have tribute bands you can find frequently on tour):

Needless to say, I prefer the original act, of course. Nevertheless, there are other performers, great well-known artists in many cases, who have sung the Beatles’ songs in their own style, achieving excellent results, and showing that these unforgettable tunes are good by themselves and probably  going to be sung for years. I’ll try to show you here some highly personal recordings which connect the song to each singer’s style, giving them something special and distinctive. Some examples I particularly love (surely you can add more) are: 

1) The Beatles by the queen and the king of soul, Aretha Franklin and Ray Charles no less. They are superb because they were singing as they used to do - no attempt to imitate the original at all - but simply to transform the songs into their own. The way they internalize and personalize the lyrics and melodies is incredible and perfectly matches song and singer. In fact, some people prefer these covers to the Beatles’ originals. Listen, enjoy and judge by yourselves. I just think each of them is a different performance but still one incredible song!

 

2) Ray Charles recorded other Beatles songs like Eleanor Rigby or Imagine, always with an accomplished approach. Another great multi-instrumentalist and singer, Stevie Wonder, recorded in his own funky way We can work it out, even changing the internal rhythm and musical accents of the song, in order to make it his own. Listen carefully to the singular chorus rhythm, which is awesome, isn’t it? Years later, he dared to perform it live in front of Sir Paul McCartney. Unbeatable! I can assure you that this blind musician is almost perfect, both as a singer and as a keyboard and harmonica player.

 

3) An American soul singer and a lively Welsh youngster got together to cover Hey Jude in an inviting manner. The "original version" of this cover was recorded only by Tom Jones and succeeded almost immediately. It’s full of energy and brightness and retains the strength of the original, specially the long end. Jones’s ease with any style suits Wilson Pickett’s phrasing perfectly. They are enjoying themselves and proving yet again, like in the other examples, that what is really important is the quality of the composition:

   

 Maybe you prefer Tom Jones’s solo recording (a bit longer) ...

4) I could cite many more examples, but I’ll be content with two more. First, a well-known country singer (also appreciated as an actress, though not by me!). In this case I like the traditional sound of country guitars and voices, with this special percussion, so characteristic of this kind of bluegrass music. I don’t usually enjoy this excessively dyed blonde, but I have to admit that she has many recordings that deserve recognition: Coat of many colors, Trio (with Emmylou Harris and Linda Ronstandt) etc. as well as at least another two (or “two other”) cover versions that I know: Peace train, originally sung by Cat Stevens, and Stairway to heaven (can you believe it?), by the one-off Led Zeppelin. Anyway, this is Dolly Parton’s rendition of Help:

 

Finally, the only cover version of a Beatles song that is probably better known than the original: With a little help from my friends, by Joe Cocker. It was first performed in the famous Woodstock festival in 1969 and quickly became #1. From then on, this fantastic artist was forced to sing this song in almost every concert, and even it was the only “original" cover version included in a musical named after The Beatles called Across the Universe. Again, this is a totally different way to sing this song, both rhythmically and stylistically, from The Beatles’. It’s for this reason that I love it:

 

Enough from me for the moment, but if you want more Beatles covers try to search for and listen to these songs: Something, by Tony Bennet, Come Together by Michael Jackson, Ticket to ride by The Carpenters, Can’t buy me love by Ella Fitzgerald, A hard day’s night by Diana Ross and The Supremes, or even Michelle by Will Downing.